| Serenade Carl Fischer
Full orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Crash C...(+)
Full orchestra Bassoon 1,
Bassoon 2, Clarinet 1,
Clarinet 2, Contrabass,
Crash Cymbals, Flute 1,
Flute 2, Glockenspiel,
Harp, Horn 1, Horn 2,
Horn 3, Oboe 2,
Percussion 1, Percussion
2, Piccolo, Suspended
Cymbal, Timpani, Trombone
1, Trombone 2, Trumpet 1
and more. SKU:
CF.SC88 Composed by
William Grant Still. Full
score. 32 pages. Duration
9 minutes, 20 seconds.
Carl Fischer Music #SC88.
Published by Carl Fischer
Music (CF.SC88). ISBN
9781491158845. UPC:
680160917563. Willi
am Grant Stillas catalog
of works comprises over
200 pieces, including
five symphonies, nine
operas, four ballets and
numerous works for
chamber ensembles. He
initially found
employment as an oboist
in pit orchestras in New
York City, later as an
arranger of popular music
for various ensembles,
including those by
William C. Handy, James
P. Johnson and Paul
Whiteman. His career as a
composer was launched
with a performance in
1931 of his Symphony No.
1 aAfro-Americana by the
Rochester Philharmonic,
conducted by Howard
Hanson, who would remain
a life-long champion of
Stillas orchestral works.
By the 1950s the symphony
had been performed in New
York, Chicago, Los
Angeles and various
European capitals. This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the aDean of
Afro-American Composers.a
Still composed his
Serenade for Orchestra in
1957 on a commission by
the Great Falls High
School in Great Falls,
Montana. He later
transcribed the work for
a chamber ensemble of
flute, clarinet, harp and
strings. The piece
reflects Stillas interest
in American folk idioms,
with conventional
melodies and harmonies
that nonetheless express
a fresh and individual
compositional
voice. William Grant
Still's catalog of works
comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
Afro-American by the
Rochester Philharmonic,
conducted by Howard
Hanson, who would remain
a life-long champion of
Still's orchestral works.
By the 1950s the symphony
had been performed in New
York, Chicago, Los
Angeles and various
European capitals. This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the Dean of Afro-American
Composers. Still composed
his Serenade for
Orchestra in 1957 on a
commission by the Great
Falls High School in
Great Falls, Montana. He
later transcribed the
work for a chamber
ensemble of flute,
clarinet, harp and
strings. The piece
reflects Still's interest
in American folk idioms,
with conventional
melodies and harmonies
that nonetheless express
a fresh and individual
compositional
voice. William Grant
Still’s catalog of
works comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
“Afro-American” by
the Rochester
Philharmonic, conducted
by Howard Hanson, who
would remain a life-long
champion of Still’s
orchestral works. By the
1950s the symphony had
been performed in New
York, Chicago, Los
Angeles and various
European capitals.This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the “Dean of
Afro-American
Composers.”Still
composed his Serenade for
Orchestra in 1957 on a
commission by the Great
Falls High School in
Great Falls, Montana. He
later transcribed the
work for a chamber
ensemble of flute,
clarinet, harp and
strings. The piece
reflects Still’s
interest in American folk
idioms, with conventional
melodies and harmonies
that nonetheless express
a fresh and individual
compositional voice. $25.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Meet The Great Jazz Legends - Book Formation musicale - Solfège Alfred Publishing
Meet the Great Jazz Legends. (Short Sessions on the Lives, Times and Music of th...(+)
Meet the Great Jazz
Legends. (Short Sessions
on the Lives, Times and
Music of the Great Jazz
Legends). By Ronald C.
McCurdy.
Classroom/Pre-School;
General Music and
Classroom Publications;
Reproducible. Jazz. Book.
72 pages. Published by
Alfred Music Publishing
$14.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Meet the Great Jazz Legends [CD|Activity Books] Alfred Publishing
(Short Sessions on the Lives, Times & Music of the Great Jazz Legends (Deluxe Cl...(+)
(Short Sessions on the
Lives, Times & Music of
the Great Jazz Legends
(Deluxe Classroom Kit)).
By Ronald C. McCurdy.
Classroom/Pre-School;
General Music and
Classroom Publications;
Reproducible.
Contemporary; Jazz. Book,
CD & Reproducible
Activity Sheets. 72
pages. Published by
Alfred Music Publishing
$39.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| From the Black Belt Carl Fischer
Orchestra Bass Clarinet, Bassoon, Clarinet 1, Clarinet 2, Contrabass, Flute 1, F...(+)
Orchestra Bass Clarinet,
Bassoon, Clarinet 1,
Clarinet 2, Contrabass,
Flute 1, Flute 2, Harp,
Horn 1, Horn 2, Horn 3,
Oboe, Percussion,
Timpani, Trumpet 1,
Trumpet 2, Trumpet 3,
Viola, Violin 1, Violin
2, Violoncello SKU:
CF.SC89L Seven
Little Pieces.
Composed by William Grant
Still. Large Score. 36
pages. Duration 12
minutes. Carl Fischer
Music #SC89L. Published
by Carl Fischer Music
(CF.SC89L).
William Grant
Still’s catalog of
works comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
“Afro-American” by
the Rochester
Philharmonic, conducted
by Howard Hanson, who
would remain a life-long
champion of Still’s
orchestral works. By the
1950s the symphony had
been performed in New
York, Chicago, Los
Angeles and various
European capitals.This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the “Dean of
Afro-American
Composers.”The “Black
belt” refers to a
region in the southern
United States that was
distinguished by the
color of its fertile
soil. It was an area
whose rich economy was
based on cotton and
tobacco plantations that
were controlled by rich
white people and worked
by poor black laborers.
Still’s piece From the
Black Belt from 1926 is
presumably a musical
representation of these
laborers. He described
its seven parts in the
following ways: William
Grant Still’s catalog
of works comprises over
200 pieces, including
five symphonies, nine
operas, four ballets and
numerous works for
chamber ensembles. He
initially found
employment as an oboist
in pit orchestras in New
York City, later as an
arranger of popular music
for various ensembles,
including those by
William C. Handy, James
P. Johnson and Paul
Whiteman. His career as a
composer was launched
with a performance in
1931 of his Symphony No.
1 “Afro-American” by
the Rochester
Philharmonic, conducted
by Howard Hanson, who
would remain a life-long
champion of Still’s
orchestral works. By the
1950s the symphony had
been performed in New
York, Chicago, Los
Angeles and various
European capitals.This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the “Dean of
Afro-American
Composers.”The “Black
belt” refers to a
region in the southern
United States that was
distinguished by the
color of its fertile
soil. It was an area
whose rich economy was
based on cotton and
tobacco plantations that
were controlled by rich
white people and worked
by poor black laborers.
Still’s piece From the
Black Belt from 1926 is
presumably a musical
representation of these
laborers. He described
its seven parts in the
following ways: Li’l
Scamp If one were to base
his judgment on the
volume of sound, he would
think this little fellow,
who delights in playing
childish pranks, a big
scamp. But the aptness of
the title is determined
by the brevity of the
piece rather than by the
volume of sound.
Honeysuckle A musical
suggestion of the
saccharine odor of the
honeysuckle. Dance This
title is
self-explanatory. Brown
GirlA tone picture of a
lovely girl. Mah Bones Is
Creakin’An old man,
afflicted with
rheumatism, complains
loudly. BlueThe lament of
a weary soul. Clap Yo’
Han’sThe participants
in a game for children
form a circle and clap
their hands at
intervals. $48.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| From the Black Belt Carl Fischer
Orchestra chamber orchestra SKU: CF.SC89 Seven Little Pieces. Comp...(+)
Orchestra chamber
orchestra SKU:
CF.SC89 Seven
Little Pieces.
Composed by William Grant
Still. Full score. 36
pages. Duration 12
minutes. Carl Fischer
Music #SC89. Published by
Carl Fischer Music
(CF.SC89). ISBN
9781491158852. UPC:
680160917570. Scori
ng: Bass Clarinet in Bb,
Bassoon, Clarinet 1 in
Bb, Clarinet 2 in Bb,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1 in
F, Horn 2 in F, Horn 3 in
F, Oboe, Percussion,
Timpani, Trumpet 1 in Bb,
Trumpet 2 in Bb, Trumpet
3 in Bb, Viola, Violin 1,
Violin 2 and
more.
William
Grant Stillas catalog of
works comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
aAfro-Americana by the
Rochester Philharmonic,
conducted by Howard
Hanson, who would remain
a life-long champion of
Stillas orchestral works.
By the 1950s the symphony
had been performed in New
York, Chicago, Los
Angeles and various
European capitals. This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the aDean of
Afro-American Composers.a
The aBlack belta refers
to a region in the
southern United States
that was distinguished by
the color of its fertile
soil. It was an area
whose rich economy was
based on cotton and
tobacco plantations that
were controlled by rich
white people and worked
by poor black laborers.
Stillas piece From the
Black Belt from 1926 is
presumably a musical
representation of these
laborers. He described
its seven parts in the
following ways:
William Grant Stillas
catalog of works
comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
aAfro-Americana by the
Rochester Philharmonic,
conducted by Howard
Hanson, who would remain
a life-long champion of
Stillas orchestral works.
By the 1950s the symphony
had been performed in New
York, Chicago, Los
Angeles and various
European capitals. This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the aDean of
Afro-American Composers.a
The aBlack belta refers
to a region in the
southern United States
that was distinguished by
the color of its fertile
soil. It was an area
whose rich economy was
based on cotton and
tobacco plantations that
were controlled by rich
white people and worked
by poor black laborers.
Stillas piece From the
Black Belt from 1926 is
presumably a musical
representation of these
laborers. He described
its seven parts in the
following ways: Lial
Scamp If one were to base
his judgment on the
volume of sound, he would
think this little fellow,
who delights in playing
childish pranks, a big
scamp. But the aptness of
the title is determined
by the brevity of the
piece rather than by the
volume of sound.
Honeysuckle A musical
suggestion of the
saccharine odor of the
honeysuckle. Dance This
title is
self-explanatory. Brown
Girl A tone picture of a
lovely girl. Mah Bones Is
Creakina An old man,
afflicted with
rheumatism, complains
loudly. Blue The lament
of a weary soul. Clap Yoa
Hanas The participants in
a game for children form
a circle and clap their
hands at intervals. $30.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Die Evolution des Solo Jazz Pianos Teil 1-2 Piano seul Advance Music
Piano SKU: AP.1-ADV20072 Traditionelle Stile & Moderne Stile (German L...(+)
Piano SKU:
AP.1-ADV20072
Traditionelle Stile &
Moderne Stile (German
Language Edition).
Composed by Bill Dobbins.
Jazz DVD;
Method/Instruction;
Reference Textbooks;
Technique Musicianship.
Advance Music. Jazz. DVD.
Advance Music
#01-ADV20072. Published
by Advance Music
(AP.1-ADV20072). UPC:
805095200720.
German. Die
Evolution des Solo Jazz
Pianos ist eine Studie
über 24 der
einflussreichsten Solo
Jazz Piano Stile, von
1900 bis heute. Um die
spezifischen Beiträge
der einzelnen Pianisten
deutlich zu
veranschaulichen,
komponierte Bill Dobbins
ein Thema, das auf der
Akkordfolge des bekannten
Standards All of Me
basiert. Durch die
Übertragung der
stilistischen Eigenheiten
auf ein und dasselbe
Thema ist es möglich,
die subtilen aber
trotzdem einprägsamen
Elemente jedes Stiles
klar zu erkennen.
Gemeinsamkeiten zwischen
Waller, Ellington, Tatum,
Monk und Rowles, Tatum,
Hines und Wilson, Smith
und Ellington, Corea und
Beirach etc.
veranschaulichen, dass
musikalische
Individualität
größtenteils das
Ergebnis unbewusster
Bevorzugung bestimmter
musikalischer Elemente
ist, und nicht die
Kultivierung der
Originalität um ihrer
selbst willen. Wir hoffen
aufrichtig, daß diese
DVD das Interesse am Solo
Jazz Piano aber auch an
kreativer Musik im
allgemeinen anregt.
LEHR-Programm gemäß §
14 JuSchG
Titles:
Teil 1: Traditionelle
Stile Scott Joplin *
Jelly Roll Morton * James
P. Johnson * Willie The
Lion Smith * Earl Fatha
Hines * Thomas Fats
Waller * Teddy Wilson *
Duke Ellington * Art
Tatum * Meade Lux Lewis *
Pete Johnson * Jimmy
Yancey * Teil 2: Moderne
Stile Thelonious Monk *
Bud Powell * Oscar
Peterson * Erroll Garner
* Lennie Tristano * Bill
Evans * Clare Fischer *
Jimmy Rowles * Cecil
Taylor * Chick Corea *
Keith Jarrett * Richie
Beirach. $29.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Contemporary Jazz Pianist Vol. 4 Piano seul Charles Colin Music
Piano SKU: M7.AHW-3008 Composed by Bill Dobbins. Sheet music. Performance...(+)
Piano SKU:
M7.AHW-3008 Composed
by Bill Dobbins. Sheet
music. Performance book.
Charles Colin Corp. #AHW
3008. Published by
Charles Colin Corp.
(M7.AHW-3008).
English. Eine
einmalige und informative
Stilstudie von 24 der
einflussreichsten
Pianisten der
Jazzgeschichte.
A
comprehensive approach to
keyboard
improvisation.Both a
continuation of the study
of styles in Volume 3 and
a representation of these
style as developed by 24
of the most influential
soloists ever, including
Jelly Roll Morton, Earl
Hines, Art Tatum, Monk,
Cecil Taylor, Oscar
Peterson, Chick Corea,
and Keith Jarrett. $54.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Evolution of Solo Jazz Piano Piano seul Advance Music
Piano SKU: AP.1-ADV20071 Part 1--2 Traditional Styles + Modern Styles<...(+)
Piano SKU:
AP.1-ADV20071 Part
1--2 Traditional Styles +
Modern Styles.
Composed by Bill Dobbins.
Jazz DVD;
Method/Instruction;
Reference Textbooks;
Technique Musicianship.
Advance Music. Jazz. DVD.
Advance Music
#01-ADV20071. Published
by Advance Music
(AP.1-ADV20071). UPC:
805095200713.
English. The
Evolution of Solo Jazz
Piano is a study of solo
piano styles developed by
24 of the most
influential solo pianists
from 1900 to the present.
In order to clearly
illustrate the specific
contributions of the
various pianists, Bill
Dobbins composed a theme
based on the well-known
standard All of Me. By
applying the stylistic
approaches of the
different pianists to the
same theme, one becomes
aware of the subtle yet
evocative elements of
each individual style.
Common elements between
Waller, Ellington, Tatum,
Monk and Rowles, Tatum,
Hines and Wilson, Smith
and Ellington, Corea and
Beirach etc., should make
it clear that musical
individuality is largely
the result of the
subconscious emphasis of
some musical elements
over others, rather than
the self-conscious
cultivation of
originality for its own
sake. We sincerely hope
that this DVD may serve
as a stimulus toward the
further study of the solo
jazz piano tradition in
particular and for
creative music in
general.
Titles:
Part 1: Traditional
Styles Scott Joplin *
Jelly Roll Morton * James
P. Johnson * Willie The
Lion Smith * Earl Fatha
Hines * Thomas Fats
Waller * Teddy Wilson *
Duke Ellington * Art
Tatum * Meade Lux Lewis *
Pete Johnson * Jimmy
Yancey * Part 2: Modern
Styles Thelonious Monk *
Bud Powell * Oscar
Peterson * Erroll Garner
* Lennie Tristano * Bill
Evans * Clare Fischer *
Jimmy Rowles * Cecil
Taylor * Chick Corea *
Keith Jarrett * Richie
Beirach. $29.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Early Jazz Dances, Songs, Instrumentals for Fingerstyle Guitar Guitare [Partition + Accès audio] - Intermédiaire Mel Bay
Guitar - Intermediate SKU: MB.31060M Perfect binding. Jazz. Book and onli...(+)
Guitar - Intermediate
SKU: MB.31060M
Perfect binding. Jazz.
Book and online audio.
180 pages. Mel Bay
Publications, Inc
#31060M. Published by Mel
Bay Publications, Inc
(MB.31060M). ISBN
9781513468051. 8.75x11.75
inches. As aspiring
fingerpicking guitarists
started expanding their
horizons from folk,
blues, and ragtime in the
1970s, it was only
logical to look towards
early jazz tunes as a
vast source for new
possibilities. For one
thing, they could follow
the same evolutionary
path from ragtime to jazz
that had been taken by
pianists such as Jelly
Roll Morton and Harlem
stride players like James
P. Johnson and Fats
Waller. These musicians
all composed in a variety
of styles, but their most
ambitious piano solos
expanded on the classic
ragtime format developed
by the likes of Scott
Joplin, James Scott, and
Joseph Lamb, using
several strains that
usually changed keys at
least once. Morton, the
self-proclaimed inventor
of jazz, would record
versions of tunes like
King Porter
Stomp and The
Original Jelly Roll
Blues that are
similar to straight
ragtime performances, and
others where there is
lots of room left for
embellishment and jazz
improvisation.
The present
collection is a bonanza
for guitarists who want
to tackle advanced
arrangements along the
lines of ragtime but
featuring jazz age
harmonies from the
playing of Jelly Roll
Morton, Louis Armstrong,
Bix Beiderbecke, WC
Handy, the Original
Dixieland Jazz Band and
other early jazz legends.
The 32 arrangements
included are by a wide
assortment of guitarists
including Ernie Hawkins,
Pat Donohue, Lasse
Johansson, Duck Baker,
Ton Van Bergeyk, Sandy
Shalk, Steve McWilliam,
and Dorian Henry.
Titles
include: Oh, You
Beautiful Doll, I’ve
Got The Blues, High
Society, St. Louis Blues,
Davenport Blues, Poor
Butterfly, Dixie Jass
Band One-Step, Memphis
Blues, Big Foot Ham,
Grandpa’s Spells, The
Original Jelly Roll
Blues, Midnight Mama,
Milenberg Joys, Fizz
Water, Back Home in
Indiana, Sweet Georgia
Brown, Red Wing (An
Indian Intermezzo),
There’ll Be Some
Changes Made, Way Down
Yonder In New Orleans,
Charleston, Where The
Morning Glories Grow,
Limehouse Blues, Susie
(of the Islands), I Need
Some Pettin’, Weather
Bird, Cornet Chop Suey,
Kansas City Stomps, King
Porter Stomp, Jubilee
Stomp, Take It Easy, If I
Had You, Moonlight
Serenade $24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Reflections Piano seul Theodore Presser Co.
Scott Joplin Reconsidered. Composed by Scott Joplin (1868-1917). Edited by L...(+)
Scott Joplin
Reconsidered.
Composed by Scott Joplin
(1868-1917). Edited by
Lara
Downes. Collection.
Theodore
Presser Company
#440-40028.
Published by Theodore
Presser
Company
$21.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Readings in African American Church Music and Worship - Volume 2 GIA Publications
SKU: GI.G-8462 Composed by James Abbington. Edited by James Abbington. Af...(+)
SKU: GI.G-8462
Composed by James
Abbington. Edited by
James Abbington. African
American Church Music
Series. Sacred. Book. 824
pages. GIA Publications
#8462. Published by GIA
Publications (GI.G-8462).
ISBN 9781622771004.
English. The volume
you are holding is a
vivid testimony …to the
value of examining this
variety and dynamism from
multiple, overlapping
points of view …to the
value of both realist and
idealist voices …to the
value of articulating
wisdom. From the foreword
by John D. Witvliet,
Calvin Institute of
Christian Worship Since
the publication of the
first volume of Readings
in African American
Church Music and Worship,
public and academic
interest in the music and
worship in black churches
has significantly
increased. This second
volume makes available
the most recent
scholarship on
twenty-first-century
developments and trends,
through a representative
number of articles,
essays, and chapters
written by brilliant
musicians, authors, and
theologians of our time.
The list of contributors
includes some of the
finest emerging scholars,
whose voices we will be
hearing for years to
come, as well as
offerings from seasoned
authors, whose research
and writings are well
regarded by peers and the
worshiping community at
large. The significant
contributions—from
names new and
familiar—greatly
broaden the field of
study. The 43 chapters of
this volume are divided
into 7 categories:
Worship and Liturgical
Practices Perspectives on
Praise and Worship
Liturgical Theologies Hip
Hop and/in the Church
Proclamation of the Word
Perspectives on Women and
Gender Hymnody: Sound and
Sense Insightful,
thought-provoking,
challenging,
hopeful—this volume
will be a source of
knowledge, a stimulus for
discussion, and a call to
(re)consider the many and
varied viewpoints of the
African American church.
Featuring the writings
of: James Abbington,
LaTrese Adkins, Sandra L.
Barnes, Tuere A. Bowles,
Ruthlyn Bradshaw, Michael
Joseph Brown, Melvin L.
Butler, James H. Cone,
David Douglas Daniels
III, Robert Darden, Leo
H. Davis Jr., Valerie
Bridgeman Davis, Michael
Fox, Kenyatta R. Gilbert,
Daniel White Hodge,
Birgitta J. Johnson,
Alisha Jones, Tammy L.
Kernodle, S T Kimbrough,
Jr., Cheryl A.
Kirk-Duggan, Cleophus J.
LaRue, Monica T. Leach,
Tamura Lomax, Pamela P.
Martin, Marvin A.
McMickle, Monica R.
Miller, Stephanie Y.
Mitchem, Thomasina
Neely-Chandler, Deborah
S. Pollard, Luke A.
Powery, Samuel D.
Proctor, Teresa L. Reed,
Braxton D. Shelley,
Martha Simmons, Josef
Sorett, Rodney A. Teal,
Frank Thomas, Kathleen S.
Turner, Kenneth C. Ulmer,
Gayle Wald, James Melvin
Washington, Ralph C.
Watkins, Lisa M. Weaver,
Melinda E. Weekes,
Christina Zanfagna James
Abbington is Associate
Professor of Church Music
and Worship, Candler
School of Theology, Emory
University, Atlanta,
Georgia. He also serves
as Executive Editor of
the African American
Church Music Series,
published by GIA
Publications, Inc. $49.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Real Dixieland Book
Fake Book [Fake Book] Hal Leonard
(C Instruments). By Various. Arranged by Robert Rawlins. Fake Book. Softcover. 3...(+)
(C Instruments). By
Various. Arranged by
Robert Rawlins. Fake
Book. Softcover. 380
pages. Published by Hal
Leonard
(1)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Dixieland Book Instruments en Sib [Fake Book] Hal Leonard
(B-Flat Instruments). Composed by Various. Arranged by Robert Rawlins. For B...(+)
(B-Flat Instruments).
Composed
by Various. Arranged by
Robert
Rawlins. For B-flat
Instruments. Fake Book.
Softcover. 380 pages.
Published by Hal Leonard
$44.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Dixieland Book Instruments en Mib Hal Leonard
Eb Instruments. Composed by Various. Arranged by Robert Rawlins. Fake Book. D...(+)
Eb Instruments. Composed
by
Various. Arranged by
Robert
Rawlins. Fake Book.
Dixieland, Jazz.
Softcover.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
1 |